
A few notes about the performance itself. All of the chorus numbers done by the orphan girls were overpoweringly adorable. They sang pretty well and did their choreography dutifully, and there was this enthusiasm and earnestness on their little faces that was truly a joy to behold. Some of them didn't entirely know their lines, and from time-to-time a few of them appeared to be looking off into the wings for direction, but on the whole they seemed confident and comfortable on the stage, even hamming it up and playing to the audience.
The same cannot be said for the chorus numbers performed by the adults. These numbers (like "Hooverville" and "NYC") had the same mostly amateurish feel of the orphan numbers without the incredible cuteness. Seeing a man in his fifties bumbling his choreography or a woman in her thirties singing 30 cents flat has a different effect; it is much more sad and much less, well, adorable.
My harshest review goes to the performance of Evan Crawford, who played Miss Hannigan, the cruel drunk who runs the orphanage, and has a great deal of animosity towards the children in her care. It was clear the director was familiar with the 1982 film version of "Annie," starring Carol Burnett. Miss Crawford was clearly mimicking the masterful performance by Miss Burnett, but it was a far miss. Her slurs were too slurry, and she shouted most of the notes in her songs. She lacked dynamic range; the whole performance was pitched at 10. For reference, check out Carol Burnett's performance below, then amplify it by 10.
The two best individual performances were by Lucy Rossi (Annie) and Honey (Sandy). Lucy's Annie was full of wholesome and earnest "oh boy" energy, and she had good pitch and projection. She seemed confident up on that stage, particularly during some of the adult chorus numbers, where she stood off on the side and occasionally chimed in. She seemed much more at home on the stage than most of her adult counterparts. There were a few awkward moments between her and Daddy Warbucks (Jim Blount), particularly during the melodramatic "I don't need anything but you."
Miss Rossi and Honey, her loyal English sheep dog, had the most chemistry on the stage. After Annie escapes from the orphanage and wanders the mean NY streets, she comes across a dog (who himself had escaped from the wandering dog catchers). The stage went dark except for a lone, trembling spot light on Annie, who called out a confident: "Come here boy!" Then from the darkened wings of the stage emerged Honey in all his glory. He went straight to Miss Rossi's side, looking up into her eyes for approval. So adorable was this scene that Rebecca and I both broke into gales of uncontrollable laughter, which continued through almost the entirety of Miss Rossi's (possibly touching) rendition of "The Sun Will Come Out Tomorrow." We sincerely hope that the people sitting around us didn't think we were laughing at Miss Rossi; it's just that the dog was so incredibly cute.

Rebecca was an adorable orphan in 'Annie' once - just a few years ago, when she was about 7- say 1988! Thankfully she is still adorable. love Mom of R
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